FM
History
The finest musicians to spring from the world of jazz have clearly had an advantage when it comes to branching into other genres of music. Their mastery of composition, arranging and sight reading coupled with their flair for improvisation and spontaneous creation make them possibly the most seasoned and adaptable musicians in the art. Grammy Award winner Christian McBride, chameleonic virtuoso of the acoustic and electric bass, stands tall at the top of this clique. Beginning in 1989 – the beginning of an amazing career in which he still has wider-reaching goals to attain - the Philadelphian has thus far been first-call-requested to accompany literally hundreds of fine artists, ranging in an impressive array from McCoy Tyner and Sting to Kathleen Battle and Diana Krall. However, it is his own recordings – albums that encompass a diverse canon of original compositions and imaginatively arranged covers – that reveal the totality of his musicianship. He currently leads one of the hottest bands in music - the propulsive Christian McBride Band (saxophonist Ron Blake, keyboardist Geoffrey Keezer and drummer Terreon Gully).
The most awe-inspiring thing about Christian McBride is that his prowess as a player is only half of what makes him such a respected, in-demand and mind-bogglingly busy individual. The portrait is completed by a mere mid-thirty-something man who carved out time to speak at former President Clinton’s town hall meeting on “Racism in the Performing Arts.” He holds Artistic Director posts at the Jazz Aspen Snowmass summer program and the Dave Brubeck Institute at the University of the Pacific in Stockton, CA. McBride participated in a Stanford University panel on “Black Performing Arts in Mainstream America.” He’s hosted insightful one-on-one “jazz chats” in Cyberspace on Sonicnet.com. He also scribed the foreword for pianist Jonny King’s book, What Jazz Is (Walker & Co., New York).
