Biography Mitch Woods

Mitch Woods (born in Brooklyn, NYC on April 3, 1951) is an American modern day boogie-woogie, jump blues and jazz pianist and singer. Since the early 1980s he has been touring and recording with his band, Mitch Woods & His Rocket 88's. Woods calls his music, "rock-a-boogie," and with his backing band has retrospectively provided a 1940s and 1950s jump blues style.

Woods began playing classical piano at eleven, but his real initiation into blues and boogie piano had already been assured at age eight. “My mom would hire this superintendent of the building, a black man, Mr. Brown, to take me to school, and we stopped off at his cousin’s house, where somebody was playing boogie-woogie piano. It really hit me.”

Woods was putting together bands in Greenwich Village by his mid-teens. By the time he entered the University of Buffalo, Woods was sitting in at local clubs and discovering records by boogie-woogie pioneers Meade Lux Lewis, Albert Ammons, and Pete Johnson. Woods moved to San Francisco in 1970, and for the next five years performed as Mitch Woods and His Red Hot Mama (with singer Gracie Glassman). One night, Oakland guitarist Hi Tide Harris heard Woods opening for Charlie Musselwhite and was reminded of the sound and theatrics of early R&B pioneer Louis Jordan. Indeed, Jordan has always been a primary influence on Woods. “I actually did see Louie Jordan in Oakland. He was the bridge between swing and rock and roll. He would do a five or six piece band, get a lot of power out of that.”

That kind of power was to become rallying cry for Mitch’s next project, Mitch Woods & His Rocket 88's, which started in 1980 and quickly rose to the top of the Northern California club circuit. Their first album, Steady Date (Blind Pig Records) got hot reviews in 1984 and led to appearances at two San Francisco Blues Festivals, openings for the Fabulous Thunderbirds, Stevie Ray Vaughan, The Blasters, The Neville Brothers, and James Brown. By 1987, Woods was doing a six-country Europe tour highlighted by a rousing performance at the Belgium Rhythm and Blues Festival.

Woods was developing his passion for band leading and discovering the power of being a strong singer. “I’ll always consider myself a piano player, but my voice has developed over the last few years. It’s an incredible release, when you can sing, it’s like blowing an axe, and it’s great to entertain an audience,” he says. Another interest was taking hold, too – the funky piano-driven music of New Orleans. Woods had long been infatuated with the music of the Big Easy. “I’m a boogie woogie and blues piano player for the most part, but I also incorporate other styles within that, like the New Orleans influence. New Orleans R&B piano playing, like Dr. John, of course Professor Longhair. “New Orleans has been a really great source of inspiration, it’s a piano town. New Orleans reveres the piano player. People respect me and I appreciate that. I’ve always been able to feel a real sense of music there; if you’re a good player, you get in. For the past 25 years it has become my second home, ” Woods says. “I’ve gotten to play with all the great players who live there, and I just hire them, guys from Fats Domino’s band, like Red Tyler, sax player, Johnny Vidakovich, drummer with the Professor, and George Porter on bass.

Woods toured constantly in the mid-1990s, stopping long enough to put out Shakin’ the Shack (Blind Pig Records) in 1998. Woods wrote all but one song, demonstrating how well he’s absorbed the conventions of blues and boogie woogie music, further proving his ability to inject new life into these vintage forms. Woods also realized another dream in 1998 when he brought together some of the surviving kings of the American blues legacy, like John Lee Hooker, James Cotton, Johnnie Johnson, Earl King and Lee Allen, to make Keeper Of The Flame (Lightyear/WEA Records), all paired with Woods in a wonderful run of classic tunes.

Woods reunited the surviving members of Fats Domino’s original band, played a live show in New Orleans during the Jazz & Heritage Festival, took them into the studio, and filmed the whole shebang. The results are plenty of good-time, rock’n’roll boogie, played by the originators of the style, fronted by one of their star pupils. The CD/DVD, Big Easy Boogie is available worldwide on Club 88 Records. It has been garnering airplay on all the major satellite and cable radio stations, including XM (#3 on picks to click-Bluesville), Sirius, Music Choice, as well as BBC 2 and blues programs worldwide.

Here are what the critics are saying about Big Easy Boogie:

“A two-fisted love letter to Fats Domino and Professor Longhair” — Blues Revue

“if it’s legitimate roots and Soul music from N’awlins that’s your passion, step right up for here it is,…by Woods and company.” — Blues Wax

“Mitch Woods’ Big Easy Boogie is a loving tribute to the vintage New Orleans sounds of Fats Domino, Little Richard and Professor Longhair” —Philadelphia Inquirer

In 2007 Mitch was nominated for Pinetop Perkins Piano Player of the Year Award at the Blues Awards in Memphis. Presented by the Blues Foundation this is one of the highest achievements a blues musician can earn. Mitch continues to tour worldwide with both his Rocket 88’s and Big Easy Boogie. He has performed at some of the world’s most prestigious music festivals and venues, including Jazz A Vienne – France, Umbria Jazz Festival-Italy, San Javier International Jazz Festival – Spain, International Boogie Woogie Festival – Lugano, Switzerland, Lionel Hampton Jazz Club at Le Meridien – Paris, Edmonton Blues Festival – Canada, The Legendary Rhythm & Blues Cruise -2000-2012 , Taiwan Blues Bash – Taiwan, Copenhagen Jazz Festival-Denmark, New Orleans Jazz & Heritage Festival, and many, many more.

GumboBluesIn 2010 Mitch released Gumbo Blues his tribute to the legendary New Orleans blues shouter Smiley Lewis. Once again he assembled his all-star New Orleans musicians, including members of Dr. John, Fats Domino, Alan Toussaint, and Jon Cleary’s bands. Leading to appearances at The New Orleans Jazz & Heritage Festival and many others worldwide as well as another Blues Award nomination and critical acclaim.

If NOLA isn’t part of your start-up DNA, that can be fixed with a healthy dose of Mitch Woods’ Gumbo Blues. After a listen, you’ll feel as if you’ve visited the Crescent City of the 1950s….what makes this such a mighty fine gumbo is the recipe’s crowning ingredient, Woods. —Blues Revue Nov/Dec 2010

“A joyous, wall-to-wall blast guaranteed to chase away any blues” —Philadelphia Inquirer

“Gumbo Blues A- …Woods hit the Crescent City jackpot with 2006’s New Orleans r & b revival “Big Easy Boogie” and has never looked back. “Gumbo” hones in on songs associated with underappreciated jump-blues pioneer Smiley Lewis, best known for “I Hear You Knocking.” Instead of aping Lewis’ relaxed tempos, they pilot a rocket straight up over the Mississippi and explode in a purple-green-and-gold riot of horns, piano and guitar. Like “Boogie,” “Gumbo” is first rate New Orleans cooking” —Boston Herald

Blues Beyond BordersMitch’s latest project- CD/DVD, Blues Beyond Borders: Live In Istanbul, released in October 2012 is beginning to garner world acclaim. Here is how Mitch describes it:

"In October 2010, I embarked with my band the Rocket 88’s on a tour of Turkey with the Efes Blues Festival, playing 26 shows in 20 cities over 5 weeks. I was deeply impressed with the warmth and hospitality of the people and their openness and enthusiasm for the American musical form we call “the Blues”. It made me realize that we are musical ambassadors-able to cross cultural, religious, and national borders that most people cannot. In this CD and DVD I document our tour of the Republic of Turkey, a secular nation with 99% Muslim population that straddles the border of east and west, geographically and culturally. On this journey I realized in my heart and soul that music truly crosses all boundaries and Blues is certainly beyond borders."

Blues In Britain has this to say:

“Are you ready to boogie? If you are then look no further than this stomping CD/DVD combo from Mitch Woods whose exuberant vocals, piano and personality prove language and culture are no barrier to the message of the blues as he wows an excitable Turkish crowd in Istanbul."

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