Biography
Born in 1950, Hans-Joachim Irmler began experimenting with sound-generating technology at a very early age. As a teenager, he built his first organ. In 1969, he moved to Hamburg, where he studied art and worked for television. There, he was drawn into a collective of musicians and filmmakers. Out of this loose group, a band crystallized which would become known as Faust – a band which subsequently became known to people with an interest in avantgarde music all around the world.
The band negotiated a contract with Polydor in 1971 in which they were granted their own studio and custom-built sound-processing equipment (unheard of for a “pop” or “rock group” at that time). On their eponymous debut in 1971 (pressed on clear vinyl and housed in a transparent cover), one can hear familiar sounds augmented with electronically generated and distorted ones, which made Faust into probably the most far-out album ever released on a major label. This musical and technological transmutation has become the leitmotiv of Irmler's aesthetic. He always worked with self-built or heavily customized equipment. Thus it is small wonder that when Faust folded in 1975 he started his own keyboard workshop.
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